prettiest book covers

2021/05/21

The stunning illustration with the handwritten title and the understated author name makes this cover feel like a true work of art. so, yeah, maybe even without the title. The tactile quality matched with the optically distorting rays of purples makes for a simple but impactful cover. Great simple typography. That A Novel isnt printed but only embossed on the final jacket is a small but nice touch that complements the overall simplicity of the design. The characters expressions are perfect, as is the stacked title. That is, in fact, a falsehood that we are here to rectify. A fitting book to start your freelance career with? I am totally captivated by this bizarre and beautiful image. Serial Killer Z: Infection by Philip Harris. It looked more like a non-fiction cover when I saw it and thats why it attracted attention. Every time I look at the face, I find something new in the art. Another cover that is a perfect example of current trends in thriller covers. 42.

Gray318 never ceases to amaze and delight! Awesome colors. This (faux-fur) slipcase designed by Gabriele Wilson, for Elvira Navarros Rabbit Island, was meant to celebrate Two Lines Press first published book of 2021. Another instantly iconic cover, The retro type and the cheeky illustration make this a conversation starter for sure.

I love Toms use of shapes and color blocking here. The way the elements are arranged is fun and playful, yet everything is clear and readable. Great effect. So beautiful. So you know the drill. Ornaments incorporated so well. I love the colors, illustration style, and gradient background. There are many of those too so its hard to find. The design is mysterious and cerebralexactly what I imagine a field study of humanity would look like. 61. For some more inspiration you should visit Kindlepreneurs article Book Cover Ideas Every Author Can Learn From. Unwrap the jacket for a full shelf of spine design that delights in every genre! This says Western but also not your grandpas Western.. Required fields are marked *. Big bold typography with small visuals (plant and diver) supporting it well to create a great cover. Another example of how typography can be a focal point. Hope this gave you some insights into book cover design too and helped you learn more. I bet it took ages. No need for more effects on them. Rebecca Solnit,Orwells Roses; cover design by Gray318 (Viking, October), Second Place (tie; 5 covers each): Lauren Peters-Collaer, Na Kim, Second Place (four-way tie; 10 covers each): February, March, July, August, Third Place (tie; 9 covers each): June, October. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Copy this page's address to your clipboard. Love the feel of it. Great manipulation. 23. That horrible condensed Garamond, everything just a tiny bit lo-res and all the elements looking like theyre stuck on with no thought. Na is so good at capturing the core of a text in the simplest yet most memorable way possible. Hi! Clearly more than just a scribblethe right amount of shape and color variation to make the art readable. I want this cover art framed, poster-sized, hanging in my apartment . Thank you. A perfect combination of hand lettering and artabstract, but notfor this particular memoir. I am usually ambivalent about bright, happy covers and see them as an industry necessity, but this cover just makes me smile. Talk about the viewer being put in the authors head! Its quietly powerful.

Funny, conveys the message and uses a minimal amount of stuff. Great colors, great background and simple text that uses 2 fonts and colors (some contrast that matches well between fonts). At first glance it feels serene, and then the sharp spikes and the air around the type vibrate with a palpable edge. A perfect example of how an image can be paired with simple text. Mona is the best cover of the year. The book itself is physically small, light in your hand; with Laurens design, it becomes monumental. One of the best visuals on a book cover Ive ever seen and its so simple yet so so powerful. A beautiful 2021 update of Man Rays Tears photograph. Love the idea and concept of it. I am always drawn right to this cover whenever I see it in a bookstore. Love the colors, love the illustration. Absolutely brilliant. Would the art work without the title? Totally loving it.

Geometric shapes well done, even creates a 3D look. You have to see it in real life! Her work is always fresh and expertly crafted. Great colors, simple text and use of texture. Mountweazels! In a market that is saturated with illustrated covers, this illustrated cover feels totally fresh with its minimal color palette and fun interweaving of type and image. Monochromatic covers (one color) can be too boring but this one works well, with great typography too. Everything just works out very nicely here. I love how simple yet superbly effective the displacement/swap/tiling of the eyes is. And this cover is a good example why.

I am always a sucker for a title on an object and this design really engages me. The text is really good too. I want this as a poster. Hope you enjoyed this collection of book covers and short thoughts on why they work. I cannot find it. A cover that requires a closer look always wins me over. . 27. Clever, oddball fun, with a biting edge (pun unavoidable). Reptilian and human at the same time, a composition that controls your eye and an image that leaves you with so many questions. The Copenhagen Trilogy by Tove Ditlevsen cover design by Na Kim, Dead Souls by Sam Riviere cover design by Jamie Keenan, paper engineering and photography by Gina Rudd, O Beautiful by Jung Yun cover design by Young Jin Lim, Languages of Truth by Salman Rushdie- cover design by Jon Gray, Aquarium by Yaarza Shehori cover design by Thomas Colligan, How Beautiful We Were by Imbolo Mbue cover design by Jaya Miceli, Black Girl Call Home by Jasmine Mans cover design by Dominique Jones, photo by Micaiah Carter, White on White by Aysegl Savas cover art by Lauren Peters-Collaer, The Plague by Albert Camus cover design by Sunra Thompson, O by Steven Carroll cover design by Jon Gray, Id Like to Say Sorry, But Theres No One to Say Sorry to by Mikolaj Grynberg cover design by Arsh Raziuddin with Oliver Munday, A Calling for Charlie Barnes by Joshua Ferris cover design by Gregg Kulick, Antonio by Beatriz Bracher cover design by Janet Hansen, Girlhood by Melissa Febos cover design by Katya Mezhibovskaya, Shutdown: How Covid Shook the Worlds Economy by Adam Tooze cover design by Jason Ramirez, Novel 11, Book 18 by Dag Solstad cover design by Peter Mendelsund, A Bright Ray of Darkness by Ethan Hawke cover design by John Gall, The End of Everything by Katie Mack cover design by Tom Etherington, Crying in H Mart by Michelle Zauner cover design by Na Kim, Rabbit Island by Elvira Navarro cover design by Gabriele Wilson, The Ghost Sequences by A.C. A haunting cover, at once elegant and disturbing. Brilliant. Wise cover design by Vince Haigh, Afterparties by Anthony Veasna So cover design by Elizabeth Yaffe, A Shock by Keith Ridgway cover design by Jamie Keenan, My Darling From the Lions by Rachel Long cover design by Jakob Vala, photograph by Louisa Wells, modeled by Janine Tondu, Three Rooms by Jo Hamya cover design by Kelly Winton, Winter in Sokcho by Elisa Shua Dusapin cover design by Luke Bird, The Liars Dictionary by Eley Williams cover design by Emily Mahon, Are You Enjoying? Katya distills a complex topic so elegantly; I was deeply moved by the typographic transition from girlhood to selfhood. This cover is so clever. . A risky design for Sci-Fi cover. , Thanks for including 3 Ebook Launch cover designs in your post (The Thought Cathedral, Insanity and Twisted). The color caught my eye right away; everything is so vivid that the cover almost vibrates. Amazing colors (evocative), authors name is big so its easy to read in the small thumbnail (if the author sells books on the name alone that matters). The empty space makes this design feel whole.

Nice example of how un-standard text placing and perspective can work. Thoughtful, timely, stylish, duotone beauties. That hand reaching out. Instead of broadcasting to the reader, this design makes you do the work. From typography-centric to fluffy, 2021 was a banner year for book cover designs, with our list encompassing an eclectic mix of styles, aesthetics, and vibes. Haha a little bit but mine would have a bit more texture probably! It has a tension that makes me stop and read the title. If youd like me to add more covers and update this post in the future, let me know in the comments below! Im a sucker for perspective type and dimensional design; this is probably my favorite. One of my favorite covers of the year. This article also includes short comments on why they work. . What can I say about this, except that I want to reach out and touch it! I could spend forever looking at this cover. It has a ton of elements which can cram up the design too much but even with lots of words on cover it still works. All of their picks, along with what they had to say about them, are below. Stunning cover. Another Holmes cover and another beauty. The horse, the droplets, the strange physics at workwhat is happening?? Feels really fresh. . Theres quite a lot going on but the balance is great.

This feels big in such a fun, funky way. Such a brilliant composition and smart use of the image as part of the typography. Flipping epic, full of energy perfect for the text. The power of the figure looking out at the world through that O is memoir perfection. Evocative cover. Great colors, great use of the lighthouse. Great contrast, colors, and concept. The cool smoke effect adds nice differentiation and untraditional title adds a nice flavor too (the wave effect of it). The effect is good and not often used in fear of illegibility. Awesome way to create depth with the broken glass and title behind it. They came back with a grand total of 101 glorious covers, representing work by 67 different designers for 54 different imprints. A welcome nod to classic fiction designs of the 1960s and 70s. Gorgeous illustration, cleverly hidden child gives it that childish feeling and colors are stunning. Sands match it well, and it has the feel it needs to convey. Its so fun to look at! The horse trapped in that black pool is such a sublime and devastating image. At first, she captures the eyes, then text, then the guy. Just mystifying! The design is doing so much, so well, using surrealism, collage and color to deconstruct genre and gender archetypes. The cover is quite ambiguous but still gives the Thriller vibe well. Mesmerizing, with so many great little details. So fun and approachable even with a limited palette. Full of suspense, but warm and eye-catching. This is a fantastic, instructive article. Glad you found the article useful and definitely keep coming back to it as you need! The type sings out.

So clean and smart, I want to hold this but Im afraid Id tear the perfect paper folds. Immediately eye-catching! She is a power-clashing maximalist with an inordinate disdain for the color navy. Its not the most beautiful cover in the world but it is original! Fantastic work with 3D elements for the title and other parts of it. The colors are so vibrant. SO GOOD. The slipcase with the spines in formation is worth seeking out. The people in the Z letter (and water) look so cool. Im especially drawn to her use of color, and this title is no exception. plays with the type makes this cover so intriguing and ominous while the bright colors invite the reader in and place is squarely in LA. Totally captivating. But as we wind down 2021, it is useful to remember the good parts, the pleasures small and large that got us through. Between the blocky black type that interacts with the sweat, the orange gradient, and the small scientific element that punctuates the subtitle, the design decisions here are incredibly complex, but the result is effortless. Reminds me of an old box of chocolates, both simple & delicious. Contact Arianna Rebolini at arianna.rebolini@buzzfeed.com. by Mira Sethi cover design by Janet Hansen, This Thing Between Us by Gus Moreno cover design by Sara Wood and art by Howie Wonder, Nectarine by Chad Campbell cover design by Dave Drummond, Morningside Heights by Joshua Henkin cover design by Kelly Blair, Nobody, Somebody, Anybody by Kelly McClorey cover design by Allison Saltzman, Gold Diggers by Sanjena Sathian cover design by Stephanie Ross, illustration by Misha Gurnanee Gudibanda, Outlawed by Anna North cover design by Rachel Willey, Mona by Pola Oloixarac cover design by Thomas Colligan, My Year Abroad by Rae Lee cover design by Grace Han, After the Sun by Jonas Eika cover design by Lauren Peters-Collaer, Field Study by Chetla Sebree cover design by June Park, Harrow by Joy Williams cover design by Kelly Blair, Mrs. March by Virginia Feito cover design by Jaya Miceli, The Book of Mother by Violaine Huisman cover design by Tristan Offit, Pessoa: A Biography by Richard Zenith cover design by Yang Kim, New Teeth by Simon Rich cover design by Lucy Kim, No One is Talking About This by Patricia Lockwood cover design by Lauren Peters-Collaer, Milk Fed by Melissa Broder cover design by Jaya Miceli, The Atmospherians by Alex McElroy cover design by Laywan Kwan, LaserWriter II by Tamara Shopsin cover design by Tamara Shopsin, Chronicles from the Land of the Happiest People on Earth by Wole Soyinka cover design by Linda Huang, With Teeth by Kristen Arnett cover design by Lauren Peters-Collae, Night Bitch by Rachel Yoder cover design by Emily Mahon. Both the US and the UK versions of this cover are fantastic, but I adore the missing womans head, the scrawled sideways title, and the combination of danger and whimsy in this version. Here are 75 awesome covers selected from GoodReads.com, Pinterest, Behance or Jacket Museum, and other online sources.

Crying in H Mart is just another example of that and, Im sure all my Asian fellows agree, deeply felt.

The Past is Rising by Kathryn Bywaters. the school-art-class feel of scratching off words in thick pastel, working through an adolescent tragedy. Charlotte is a New England expat currently living in Los Angeles, CA with her cat, Joan Cusack. Damn. Without question the best cover of the year.

The way that rounded font mirrors the smooth edges of the illustrative elements is particularly pleasing. Awesome example of how rightly picked fonts tell the genre and look cool. 19 new books to find at your local bookstore. The illustrations by Manshen Lo are beautiful, but the way Jon has integrated them into the cover is what makes it such a success. You deserve it! I love the mood Laywan creates here, pairing the Instagram feed with the serene photograph and topped with layered rain drops. Again, quite minimalistic, not too much colors but it works really well. Gotta love the commitment to form and technology. Another example of how contrasting fonts work even without many effects created on them. Great manipulation of elements and pictures. One of the most playful covers Ive ever seen, so full of life and wit. Great colors too. Wole Soyinka, Chronicles from the Land of the Happiest People on Earth; cover design by Linda Huang (Pantheon, September) Well deserved. Love how the circle and those two characters are used to create skull effect when watching from further away or as a small thumbnail.

For the sixth year in a row, I asked a few of my favorite professional book cover designers (34 of my favorites, in fact) to choose their favorite covers of the last twelve months.

I really admire the overall effect of this art and particularly love how wonderful and idiosyncratic the type is. About as vertical as you can get and I love how the image sits somewhere between photographic and illustrative for that blockbuster movie poster feel. Type and illustration working in perfect harmony. )to see who that man is.

Silhouette looks like one of your covers! Great manipulation, great colors and bird. This achieves such a mood with such economy. Vibrant colors and large type are every publishers favorite look but after a while it can be difficult to do it in a fresh and intriguing waythe beautiful rendering of the type on this cover combined with the intense contrasting colors makes this so effective. Not liking the font choice as it is missing something, maybe the effect doesnt match it too but the stock photo of girl and effect with the book is awesome. Yang really designed this repeat pattern in a fun and fresh way with a truly vibrant color palette. Superb! This design by Tristan has been an exception. The dripping clouds are so intriguing. Davids design expertly bridges both. Really cool, original idea. Through the Eyes of Joanna by Edith Ivie. I am a sucker for all-type, cut paper, Jamie Keenan covers. Too Close to Breathe by Olivia Kiernan. Love how the layers bring focus to Pessoa. A gorgeous and super fresh take on a genre that we all know often leads to the overdone & everseen: photo of a guy + type. I have taken note of a few designs that I found might be useful for my manuscript. Now Im looking for your next cover! Also comforting to see this particular image with the title. Yang Kim knocked this one out of the park. Adds that commercialized feel that book is talking about. I think it has so much power because its so succinct in its depiction of violence and trauma. I feel like Joanne is the queen of picking stylish fonts! A previous version of this post credited a different designer. The texture! I love that you showed what you didnt think worked as well as showing what did. I love the contradictions of this cover art: smart, but goofy; serious, but humorous; academic, butnot.

Save my name, email, and website in this browser for the next time I comment. Every element in the collage is lovely, and its intriguing for what it leaves out. The Sisters and Brothers by Patrick DeWitt. With this in mind, weve compiled a roundup of the 50 best bookserr, best book coversof 2021. And that weird letteringa script-stencil hybridshouldnt work, but of course, Thomas pulls it off and the result is this strange, poetic work of art. Thank you so much. Excellent use of a three-dimensional object within a design, graceful combination of illustration and photography, and spot-on funny: we all peacock with our words. I love the juxtaposition between the rigid clinical type treatment and the fluidity of the image. A great modernist design and an original way to play with a portrait on a cover. Love the rich but muted colors and the thorns on the stems. I love the beautiful sky, elegant type and the little dots of sparkle on the print edition. What IS this? The fonts! What makes it especially good is the rigor of the cut-paper aesthetic and the way the type is rendered with the same hand. Your email address will not be published. A minimalist master, Janet Hansens restraint knows no bounds! Love the playful illustration and use of neon ink. Gorgeous, vibrant colors and simple text integrated into the artwork. Thanks so much! Honorable Mentions (3-way tie, with 4 mentions each): Melissa Broder, Milk Fed; cover design by Jaya Miceli (Scribner, February)

Who knew!? I love the way this cover conveys a subtle narrative through its teetering forms and type moving in all directions. The big type, the peachy color theme, and the floating suit and hat make this cover instantly iconic. Its not just red color overlayed over images combined so its more interesting and contrasting. Awesome, awesome, awesome typography and colors. I love how this looks like 3D type poking through a sheet of tin foil thats reflecting an amazing sunset. Its our firm belief that the most critical part of any book is its cover, upon which the books merits should solely be judged. Stunning use of negative space and a trompe loeil effect. Dig it! Third Place (5-way tie, with 5 mentions each): Jonas Eika, After the Sun; cover design by Lauren Peters-Collaer (Riverhead, August) You wouldnt expect skulls on a cover really.. except a Horror one.. but this is superb. These already feel like a contemporary classic of series design. This cover evokes such strong feelings of creativity through its use of organic shapes, sense of space, and typography, that makes this cover feel all the more three-dimensional. Am I reading too much into it?

Na has given us a perfect jewel box to puzzle over, made tactile with touches of spot gloss. Glad you love it and I hope we get to collaborate on a cover in future for sure. Not sure about the font choice but effects and illustration are great. Love the minimalist approach and the tiny peaks through the curtains. This was my favorite book I read this year and I also loved the cover. Clean, and messy. Super simple, super moving. The curling of the O to reveal a colorful womansuch a simple and effective way of communicating that theres a story behind the story. A wholly unique cover, this one really caught my eye in store. Its hard not to stare back at this cover, and its the subtle adjustment in the pupils that really drive this design home. Its red with big, white sans serif type and the handwritten dash of a novelall things weve seen over and over. It takes me back to being a child with my first carton of juice. Pola Oloixarac, tr. Great use of two colors only. 53. That shovel adds something to it, some edge and danger,maybe to match the Death in the title?

Beautiful cover. Awesome sky just grabbed me. The font, image and title all work perfectly together, and the black and pink on white really stands out on the shelf. This has everything I like to see on a book cover: a bit of trompe loeil, something annoying like the O not being stuck down perfectly, something hidden to add a bit of intrigue, some ripped paper to give a hint of danger and some really small type to make the big type seem even bigger (and vice versa)BINGO! Its hard to believe a design could out-shock a title like Nightbitch, and Emily nailed it. OMG this is the longest title ever and Im so inspired by how the type is really playful yet clearly legible among the spots of artwork. Intriguing. Love the shapes, the texture and the off-register colors. 41. Book has taken a while in the writing of, so will bookmark this page and check back again. Great text, colors really suit the title. The ornaments appear as if they were drawn by a feeble, bed-ridden hand, but Felix Koeberlin, the 10-year-old son of a type designer, provided the calligraphic inspiration. Logically so wrongtears are never this perfectbut aesthetically so right. Good lord. This pop art collage style is definitely having a moment of popularity, and theres no shortage of excellent designs to choose from. Id rather not admit how many books I have purchased because of Laurens cover designs. A refreshing and modern take on a historical biography. This is so simple and clever! The colors! This project makes me so happy I could cry. Very well done in that regard. The way Sara introduced the element of surprise with the textured type and illustration makes it feel so fresh. Brilliant. This is such an energetic and elegant solution for a jacket with a long title. In an age when big type dominates, I love seeing a design that begs you to look closer and examine it. Its a brilliant cover. Im obsessed with this typeface as well as the heavenly gold rays that make the cover seem to glow. The clean white type somehow manages to be serious and quirky at the same time and pairs beautifully with the manipulated image. Everything about this cover is so fun. This cover is so stunning. The cover feels so serene, and the muted palette is a nice touch. So cool how Rachel takes elements that are familiar to us and makes it feel fresh. The Thought Cathedral by Nathan Williams. The graphic simplicity had me from the start and its perfect for the story. Creative! The masterful layout and simple color palette combine to give this cover so much wonderful, crazy energy. Fantastic cover. It is so iconic that they better hang this at the Hall of Fame. Thriller | Crime | Mystery | Suspense Premade Book Covers, Horror | Dystopian | Paranormal Premade Book Covers, Young Adult| Fantasy | Sci-Fi Premade Book Covers, Whats Working Now in Book Cover Design: Thriller/Mystery/Suspense, 6 Things All Good Book Covers Have in Common. No problems! Awesome typography. Great colors and great illustration. The image is a bit blurry here but thats because its a picture from online and not an original cover (so its not a blurry one originally). I love it. This book stopped me in my tracks every time I passed it this year. Might be the only cover here designed by the author himself (who is a graphic designer himself so he had an unfair advantage here). The woven flowers with the elegant san serif type is so pleasing to the eye. Its not an easy task to put copy over a painting that doesnt distract or disappoint. This is such a bright and dynamic design. Simplistic with few colors used, but it attracts attention with great illustrations and hand-made feel. The metallic effects and tactile finish are just brilliant.

Definitely conveys the idea for the book the duplicity and prey/predator dynamic. It would still be intriguing, and oddly beautiful. Love the red badge here too. My eyes jump around in the best way. Great colors, great, dramatic sky and good use of one main element in design (boat). Does it matter? Everything about this cover is brilliant, the pink, the creepily cropped photograph and the slight overlap of the white dots and the type.

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