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The fishes bright colors and scattered arrangement across the images foreground draws the eye like thrown confetti. Our analysis reveals four themesnatures refuge, Americas playground, American heritage, and mythic spacethat collectively anchor national park place identity. Anderson Design Groups centennial postcard collection presents the national parks as 1) natures refuge; 2) Americas playground; 3) American heritage; and 4) mythic space. Studies within geography predominantly use historical postcards as their source materials (Pritchard and Morgan 2003). To experience Biscayne is also to engage with the Florida Keys and partake of its recreational amenities for adventurous tourists and snowbirds. Such intertextual references reveal how national parks recreational landscapes can transcend park boundaries and engage with expanded American playgrounds. Making Mythic Landscapes. On Grand Canyon Postcards.

We embraced the complexities of postcards by considering each as an individual work of art, understood and interpreted holistically for the collections major themes. The postcard image of Sequoia National Park is the strongest example of this phenomenon (Figure 4). ----------. New Haven: Yale University Press. badlands The federal governments centennial program, including the NPSs signature event An Evening at the Arch; Secretary of the Interior Dirk Kempthornes The Future of Americas National Parks report to President Bush; and President Obamas Fathers Day address established new directions for the parks. We felt our initial quantitative approach failed to capture the greater themes embedded in the collection. Hanging above them is the slogan See Kolob Arch. Uncommon Ground: Toward Reinventing Nature. Uniquely Designed National Park Postcards, Black Canyon of the Gunnison National Park Postcard, Gates of the Arctic National Park Postcard, Great Sand Dunes National Park and Preserve Postcard, Great Smoky Mountain National Park Postcard, Use left/right arrows to navigate the slideshow or swipe left/right if using a mobile device, choosing a selection results in a full page refresh. In Western Places, American Myths: How We Think About the West, edited by G. Hausladen, 296-318. Visually centered on crepuscular rays streaming through iconic Kolob Arch, this scene draws on long established traditions of romanticism in depicting Western landscapes (Cronon 1995). Instead, they project idealized and selective visions of place, where their images are edited for particular meanings. Obscured by orange shades of sunset, the saguaroslooming like arid Entsframe and surround the rider. Zane Grey and Images of the American West. 1995. Comprised of fifty-nine postcards, the Anderson Design collection presents rich visual imagery of each national park. In this scene from Katmai, there are no humans to interfere with the life-and-death struggle playing out between two charismatic beings in the waning daylight of the Alaskan backcountry. Crown of the Continent, Backbone of the World: The American Wilderness Ideal and Blackfeet Exclusion from Glacier National Park. An homage to the unique beauty of our public lands, these 100 beautifully illustrated postcards feature timeless designs of all 63 of Americas national parks.Send postcards of Great Smoky Mountains, Grand Canyon, Yosemite, the Everglades, Acadia, and more with this iconic set of 100 postcards. Changes in the Land: Indians, Colonists, and the Ecology of New England. Social and Cultural Geography 5 (3): 347-355. Tuan, Y.F. Across the bottom of the image the postcard proclaims that Biscayne National Park is in the Florida Keys. This theme primarily taps into deeply rooted wilderness attitudes towards nature and affirms popularly entrenched assumptions that humans and nature are separate and oppositional entities (Cronon 1995). These designs of Americas 63 national parkswith 37 extras of the most popular parksoffer bright, gorgeous art to send to friends and family, or to frame for your walls. It is a Federal Copyright offense to reproduce or replicate these images without permission. ----------. Thanks to national park protections, the backdrop of evergreens no longer holds value as a rich source of timber (Cronon 1983).

Looking for store hours or directions? Biscayne is one of the few postcards to depict a waterscape. Antonsich, M. 2010. Dittmer, J. 1994.

This is not an official U.S. Government website. It cuts through calm green waters, angling for an advantageous position to view a whales tail breaking the surface. The slogan, too, is miniaturized, and the effect is that General Shermans image is left to speak for itself. Through light, color, and shadow, the sky, water, bears, and fish are all imbued with a sense of movement. Yosemite National Park - Half Dome - Vintage Postcard, Redwood National Park California Vintage Postcard, Grand Canyon National Park Vintage Travel Postcard, Zion National Park Utah The Narrows Vintage Postcard, Grand Canyon National Park Arizona Vintage Postcard, Vintage Zion National Park Travel Postcard, Joshua Tree National Park Tule Springs Vintage Postcard, Zion National Park Vintage Travel Postcard, Olympic National Park Washington State Vintage Postcard, Death Valley National Park Vintage Postcard, Yellowstone National Park Vintage Postcard, Channel Islands National Park California Vintage Postcard, Badlands National Park Landscape Vintage Postcard, Everglades National Park Florida Flamingo Vintage Postcard, Canyonlands National Park Utah Vintage Postcard, Bryce Canyon National Park Utah Vintage Postcard, Great Smoky Mountains National Park Vintage Postcard, Moraine Lake Banff National Park Canada Vintage Postcard, Grand Teton National Park Wyoming Vintage Postcard, Mount Rainier National Park Washington Vintage Postcard, Glacier Bay National Park Alaska Vintage Postcard, Pinnacles National Park California Vintage Postcard, Haleakala National Park Maui Hawaii Vintage Postcard, Bryce Canyon National Park Vintage Travel Postcard, Vintage Yellowstone National Park Buffalo Postcard, Hawaii Volcanoes National Park Vintage Postcard, Arches National Park - Vintage Delicate Arch Postcard, Saguaro National Park Arizona Vintage Postcard, Rocky Mountain National Park Colorado Elk Vintage Postcard, Olympic National Park Washington Vintage Postcard, Mammoth Cave National Park Kentucky Vintage Postcard, North Cascades National Park Washington Vintage Postcard, Denali National Park Alaska Mount Hunter Vintage Postcard, Yosemite National Park - Vintage Travel postcard, Redwoods National Park California Vintage Travel Postcard, Glacier National Park Montana Vintage Postcard, Sequoia National Park Giant Sequoia Trees Vintage Postcard, National Parks of The United States List Vintage Postcard, Haleakala National Park Hawaii Vintage Postcard, Cuyahoga Valley National Park Ohio Vintage Postcard, Acadia National Park Vintage Travel Postcard, Channel Islands National Park California Vintage Postcard, Vintage Yellowstone National Park Travel Postcard, Crater Lake National Park Oregon Vintage Postcard, Kings Canyon National Park California Vintage Postcard, Big Bend National Park Chihuahuan Desert Vintage Postcard, Zion National Park Vintage Poster Postcard, Lassen Volcanic National Park California Vintage Postcard, Carlsbad Caverns National Park Vintage Postcard, Petrified Forest National Park Arizona Vintage Postcard, Arches National Park Double Arch Night Sky Vintage Postcard, Vintage American National Parks Collage Postcard, Black Canyon Of The Gunnison National Park Vintage Postcard, North Cascades National Park Mount Triumph Vintage Postcard, White Sands National Park New Mexico Vintage Postcard. Schwartz, J. and J. Ryan. Dordrecht: Springer Science and Media. Spence, M. 1996. Wilderness and the American Mind, 5th Edition. On a rocky cliff shoreline, Bass Head Harbor Lighthouse is immaculate. In A Geography of Beer, edited by M. Patterson and N. Hoalst-Pullen, 167-187. In the following sections, we examine how selected postcards exemplify a particular theme of the national parks. Captain Americas Empire: Reflections on Identity, Popular Culture, and Post-9/11 Geopolitics. Postcards (Blake 2008; Youngs 2011; Youngs 2012) also manufacture and project place identity. Postcards most representative of this theme depict charismatic wildlife; images of pristine wilderness; powerful geologic and fluvial processes; and an absence of humans and human activity. The postcards perspective captures a vision of Biscayne that invites the viewer to join the diver in a subtropical playground. Mythic space is also captured in the image of Zion National Park (Figure 6). Wright, J. Geographers have long recognized the power of visual media to construct enduring place identities (Tuan 1976; Schwartz and Ryan 2003; Schnell and Reese 2014). ----------. And go from well-read to best read with book recs, deals and more in your inbox every week. Journal of the West 33 (3): 10-21. Jacoby, K. 2001. 2012. Start earning points for buying books! The postcard imbues a sense of playfulness into the scene through the use of subject matter, color, and intertextual associations with place. Valued as collectors items, souvenirs, and a means of correspondence, postcards remain available at many tourist waypoints, including gas-stations, museums, or national park gift stores. Allen, J. The American West: The Invention of a Myth.

Please try again later. Many of these postcards explicitly depict people at play. Lastly, we suggest these themes convey visions of the national parks that favor traditional attitudes towards nature and American identity, and consequently come into tension with alternative conceptualizations of the national parks. London: IB Tauris. Please login or Decrease quantity for Subpar Parks US National Park Postcard (SINGLES), Increase quantity for Subpar Parks US National Park Postcard (SINGLES). Journal of Tourism and Cultural Change 1 (2): 111-130. Heritage as Knowledge: Capital or Culture? 1976. Reno: University of Nevada Press. Geographical Review 104 (2): 229-241. Like the image of Saguaro National Park, the Zion postcards mythic dimensions are strongest when its image is considered holistically. The massive tree and miniaturized slogan work together to proclaim this sequoia as the worlds biggest, establishing this national park as the root of an American national identity grounded in monumental nature (Nash 2014; Runte 2010). As Delyser (2004) suggests, social memory is recaptured through examining even the smallest traces of past experiences. The Local Traveler: Farming, Food, and Place in State and Provincial Tourism Guides, 1993-2008. Highly symbolic, often amorphous, and slipping just out of reach like a willow-o-the-wisp beckoning a traveler in a dark wood, the nature of myth defies easy comprehension or articulation (White 1991). Select one of our locations. Youngs, Y. Apr 27, 2021 It best represents the national parks as an American playground.

2003. Horizons of the Sublime: The Invention of the Romantic West. 2006. Murdoch, D. 2001. These materials are critical sources shaping popular understandings of the national parks.

A third significant theme is that of a distinct American heritage. Through invoking the Florida Keys toponym, Biscayne becomes linked with a popular vacation destination. Our analysis of the Anderson Design Group (ADG) postcard collection suggests three key findings. Geographical Review 102 (4): 486-509. By clicking Sign Up, I acknowledge that I have read and agree to Penguin Random House's Privacy Policy and Terms of Use. Department of Earth Sciences, Montana State University, National Park Service - Park Unit Boundaries, Map of Katmai National Park and Preserve (1994), Topographic Map of Acadia National Park (1931). Schooners, for example, are anchors of the cultural landscapes of New England pelagic fishing industries and were popular 19th century whaling vessels. These two definitions inform our identification of heritage in the centennial postcards through emphasizing their ability to depict American cultural landscapes and ideologies of exceptionalism. Four Symbolic Boundaries of the American West. No less significant is what goes unsaid by these slogans. Schnell, S. and J. Reese. Second, our content analysis of the postcards suggests four facets of national park place identity: 1) natures refuge; 2) Americas playground; 3) American heritage; and 4) mythic space. ----------. Crimes Against Nature: Squatters, Poachers, Thieves, and the Hidden History of American Conservation. Environmental History 16 (1): 138-147. They also thank the services and comments of two anonymous reviewers and editor Dr. Michael Steinberg: all offered valuable insights during the revisions process. Anniversaries like these have historically provided opportunities for the NPS and supporters to promote the values of national park landscapes and plan for their future use and maintenance. Rider, saguaros, and desert are arrayed on a deeper tableau. They are known for their original poster art, which celebrates Americas National Parks and features the work of prominent artists from all around the world. Intent on their task, the bears fix their eyes on the water. Copyright 2000-2022, Zazzle Inc. All rights reserved. Second, we complement existing geographical postcard analysis by using a contemporary case study. Previous geographical postcard analyses inform our examination of the ADG postcard collection. These exhort viewers to immerse themselves into a particular park experience. Myths are integral to many cultural landscapes. From landscape paintings (Allen 1992) and magazine illustrations (Wyckoff and Nash 1994) to beer labels (Schnell and Reese 2014) and comic books (Dittmer 2005), visual media in their myriad forms articulate selective visions of place. These slogans promote a set of activities deemed proper in park landscapes. Suitable for mailing, framing, or using as gift tags, National Parks: Acadia, Arches, Denali, Everglades, Glacier, Grand Canyon, Great Smoky Mountain, Hawai'i Volcanoes, Olympic, Rocky Mountain, Yellowstone & Yosemite. GreetingsFrom: 24 Vintage-Style Postcards of National Parks Across Americaoffers 24 vintage-style postcards that map out the features of each national park and share the park's stats as well. The association between the Florida Keys and Biscayne, meanwhile, introduces an intertextual element to what it means to be in Biscayne National Park. New York: Norton. Myths are also intimately bound to place and are embedded in the material world just as much as in the terrain of the mind. Instead, they become part of a larger Acadian landscape aesthetic, one that can be consumed by those seeking beauty on Maines coastline. The visions present in the postcards reach audiences across the world, offering a powerful reminder of the role visual imagery has in contributing to geographic imaginations. Greetings From: 24 Vintage-Style Postcards of National Parks Across America. The American Southwests Monument Valley, for example, has been cited as a mythic landscape par excellence (Blake 2014). The waterfall falling over the cliffs on the viewers right suggests that springtime has arrived in the Utah desert. First, by dint of their popularity and mass distribution, we suggest the postcards are one mechanism through which collective place-based meanings of the national parks are established. Geographical Images of the American West: The View from Harpers Monthly, 1850-1900. Your review requires staff approval before posting. This view is from an impossible vantage point, for the images perspective simultaneously captures sights of the waters surface, the sky above, seabirds, and a small personal sailboat. The whole postcard is greater than the sum of its parts. Most orders filled same day if placed by 3:00PM. All reviews become the property of Mast General Store. DeBres, K. and J. Sowers. Visual media are cultural texts, conveying dominant ideologies through reproducing selective visions of place (Pritchard and Morgan 2003). Lanham: Rowman Littlefield and Sons. 2014. In North American Odyssey: Historical Geographies for the Twenty-First Century, edited by C. Colton and G. Buckley, 251-271. Anderson Design Groups centennial postcards present narratives aligning with mainstream understandings of the national parks historical significance. Worster, D. 1985. 2020 Amber Share. In the scenes backdrop, hazily outlined mountain silhouettes subtly mirror the skys shape above. The fishes muscular bodies twist in effort as they try to make their way up the fast-flowing rapids. The Acadia National Park and Sequoia National Park postcards depict historically significant objects and sites and serve as strong examples of American heritage. The water flows with enough force to splash upward and soak the bears underbellies. Follow@subparparkson Instagram for project updates! The use of the charismatic fauna in national park imagery suggests a form of American national identity bound to natural resources and a wilderness experience (Cronon 1995). Microbreweries, Place, and Identity in the United States. Second, there are the parks eponymous saguaros. Following Youngs (2012) methods, we categorized and quantified images important to identifying postcard themes such as the appearance of wildlife, presence of people, depictions of historic sites, and scenic views. The postcard of Acadia National Park showcases an understanding of heritage that aligns with Grahams (2002) argument that heritage is contemporary use of the past (Figure 3).

Furthermore, Katmai and the other national parks postcards convey a distinctly American nature. Geographical thinking encourages conceptualizations of myth that focus on landscape as much as metaphor. Where the Cowboy Rides Away: Mythic Places for Western Film. The second most visible theme of ADG's postcard collection is that of an American playground. Promotions included An Evening at the Arch at ----------. The vision of the national parks as natures refuge is the most prominent theme of the postcard collection. The Badlands National Park postcard instructs viewers to Enjoy the Good Life. The Carlsbad Caverns postcard encourages viewers to Walk the Hall of Giants. Slogans and invitations like these offer a direct link between the viewer and the parks. Framed by two tree trunks reminiscent of the columns of a Greek temple, the General Sherman tree dominates the scene and towers high above a miniaturized person and station wagon. The interplay of shadow and light on the vegetation and water, the orange sky above, and the warm hues that highlight the bears richly textured hides all suggest a crepuscular scene moments before an unseen sun sinks below the horizon (Figure 1). Blake, K. 1995. Choosing a selection results in a full page refresh.

As representative of the national park system, this postcard shapes wider perceptions of not only Kolob Arch and Zion, but also of Western landscapes more generally. The spawning fish and saturated blue of the fast-flowing river suggests a healthy riparian system, as does the rich and thick greenery lining the rivers banks. In this image, whales remain the schooners goal, but the ships armament is no longer the whalemans harpoon, but rather the 21st century tourists camera. The Acadia National Park postcard resurrects historically significant Maine industries, but transforms them to reflect what is valuable about Acadias contemporary park landscape. Indulge in a little vintage whimsy with this post card set. Postcards representative of American heritage space are also laden with a sense of American exceptionalism, which aligns with Johnsons (1999) definition of heritage as an ideological framing of identity. Many postcards also include slogans or invitations to the viewer. Johnson, N. 1999. Memories and Place: Geographies of a Critical Relationship. Berkeley: University of California Press. National Parks: The American Experience, 4th Edition. These themes are manifested through ADGs use of charismatic North American wildlife and images of wilderness; depictions of outdoor recreation and use of inviting slogans; representations of American cultural landscapes; and adept use of iconic images and application of light and color. Hoelscher, S. and D. Alderman. Fifty-Nine Parks believes public lands and the art of printmaking are worth preserving. With respect to national parks, American exceptionalism is grounded in superlative landscape features (Runte 2010). Journal of Cultural Geography 28 (2): 281-309. Delyser, D. 2004. The Professional Geographer 61 (2): 216-230. Although these two narratives remain disconnected in key ways, we believe the tensions between Anderson Design Groups postcard collection and the federal governments centennial initiatives do not represent a lasting failure, but instead reveal opportunities for future reconciliation between promotion and policy. Acadias flora and fauna are thus transformed from industrial resource to aesthetic resource. Serving as souvenirs, postcards are small, easily stored linkages between places and people. Our research showcases the importance of twenty-first century postcard analysis. Most famously, an ambitious ten-year project dubbed Mission 66 expanded infrastructure across park lands for the NPS 50th anniversary. Framing the Past: Time, Space, and the Politics of Heritage Tourism in Ireland. Graham, B. Our subsequent examination recognized the importance of subjectivity in analysis. National parks become sites where people can enjoy recreating in some of the countrys most spectacular places. In the background swims a feminine silhouette equipped in scuba gear.

In particular, we examine a series of commemorative centennial postcards produced by the private studio Anderson Design Group. Political Geography 18 (2): 187-207. In doing so, however, we confronted the lesson cultural geographers are careful to remember in exploring representations of place through content analysis: conflating features for meaning (Schnell 2011). The authors thank Joel Anderson of Anderson Design Group for his enthusiastic support and his permission to use Anderson Design Group artwork and colleague Laurel Angell for her input on an earlier draft of this paper. See our Terms of Use for details. This article interrogates centennial promotion efforts to understand dominant place-based narratives associated with the national parks. First, there is the silhouette of a lone rider, an icon wedded to discourses of a masculine frontier central to construction of popular understandings of the West as a region (Blake 1995; Hausladen 2003). 1992. We want to make sure you know:

Postcards also have the ability to reach a geographically far-flung audience and shape how this audience understands places. While the postcards achieve the task of celebrating and promoting the national parks, their success does not completely align with other park initiatives addressing the rapidly changing terrain of twenty-first century environmental, political, and social challenges facing the national parks. Historically significant use of park landscapes, including subsistence lifeways, are left out of the slogans narrative. We define place identity as the collective understandings of places contributing to a sense of shared belonging (Blake 2008; Antonsich 2010). The exotic fish and turtle give reasons as to why the diver has chosen Biscayne. The 2016 centennial offered further opportunity to generate widespread support for the parks. Those postcards demonstrating mythic space feature heavy use of symbolic figures and iconography. Journal of Cultural Geography 25 (1): 1-30. Annals of the Association of American Geographers 95 (3): 626-643. Sign up for updates on the parks, tips for planning your trip and special offers and promotions.

At the postcards top, a slogan instructs viewers to Visit Beautiful Acadia National Park, Maine. The eye, however, is first drawn to a tall-masted schooner with a crowded deck. Four significant themes emerged from our revised qualitative content analysis that understands postcards as shapers of national park place identity. The divers presence suggests that Biscayne is best enjoyed through a literal immersion into place. The point of view is literally immersed in the water, revealing a subtropical reef, brightly colored and patterned fish, and a sea turtle. The bowl of golden sky pours through Kolob Arch. Lanham: Taylor Trade Publishing. Its rich green stands in stark contrast to the burnt hues of the sandstone cliffs. Graham (2002) suggests heritage is defined best as contemporary use of the past, while Johnson (1999) calls heritage an ideological framing of identity. Rays of light illuminate a verdant pine forest. The bears intense focus and raw power are subtly captured in how they hunch over the water, muscles tense as they wait, poised, to snap their jaws shut on prey. to save this product to your wish list. Cronon, W. 1983. Imagining Heaven and Earth at the Mount of the Holy Cross, Colorado. Social and Cultural Geography 5 (3): 483-496. Historical Fiction if You Love Old Hollywood, Dr. Ibram X. Kendi on Raising Antiracist Children, Staff Picks: Emilia Pisani Shares What She's Loving Right Now, Browse All Our Lists, Essays, and Interviews. 2002. 2005. Anderson Design Groups centennial postcard collection provides the source materials for our content analysis. First, we employ content analysis to identify the postcards major themes. Produced in an artistic style reminiscent of classic Works Progress Administration (WPA) promotional imagery, the postcards were tacitly approved by the NPS and made available in national park stores. Runte, A. Fifty-Nine Parks More about Fifty-Nine Parks, Sign up for news about books, authors, and more from Penguin Random House, Visit other sites in the Penguin Random House Network. We are experiencing technical difficulties. The Qualitative Report 11(3): 538-549. Katmai National Park presents an untrammeled and dynamic nature, where fluvial and biological processes intertwine and continue unabated.