epson p900 cost per print

2021/05/21

By the way, working in ABW mode, there is also access to CB for gloss/luster papers. The data underlying this summary information appears in Figure 26. It can operate on 2.4 and 5 GHz wireless. Just to get a feel for the sheer difference of gamut volume between the printer profiles relative to the image colour contents, I examined it all in ColorThink Pro (CTP) (Figures 61, 62, and 63). Epson was kind enough to provide me the test image the company used in its Sales Reference Guide to demonstrate the CB advantage. It is also automatically registered in both the printer driver Printer Settings menu and in the printer itself, accessible through the LCD (Figures EMI 15 and EMI 16). I am, for the most part, limiting the exercise to the darker end of the tone scale, from L*1 to L*35 inclusive, as a rendition of deep shadow detail is often of most interest to photographers and printers, and what we see from about L*15 ~ L*35 can be a decent indicator of what to expect further up the scale. It can happen that if you need to re-install the printer or you are creating a different version of the driver for another mode of connection (say wireless instead of USB) even though you open and close the Media Installer once to do this, not all of the media types may appear in the Media Type selection options reached through your printing application (in particular, the Epson Legacy Signature Worthy and Legacy media, as well as any you created with EMI, could be missing). First, for Media Type in the driver, there is a selection called Use Printer Settings, which if selected, means that the driver will cohere with the paper choice in the printer LCD panel (more on the LCD panel below). Have the courage to follow your heart and intuition. Photography for me has always been personal. I include several comparisons from SC-P800 data. OK, enough about tape and unpacking. Each produces a different gamut volume (Figure 31) and Black Point, where one sees that the profile with CB ON has a slightly wider gamut than that with it OFF, particularly so for the dark tones (right side of Figure 31). Ill discuss Maximum Black, Brightness, Contrast, and Linearity all by reference to the graphical evidence of the red curves from the printing of the dark zone target for each of the eight conditions depicted in Figure 39. The loading process consists of the following steps: (1) Start the printer, go to Paper Settings on the LCD, and select Roll Paper. To bring you great content we depend on your support. Now, let us see the relationships of the photo to these gamut volumes (Figures 62 and 63). As the print emerges from the printer, it is held in a nicely designed pull-out tray that has a gently sloping gradient preventing the page from falling to the floor (Figure 22). Epson recommends checking for the availability of a firmware update. Generally speaking, a profiling result will test more accurately when the same instrument and printer are used to both make and evaluate a profile, compared to when they differ between making the profile and evaluating it. I was surprised, but not totally, by the remarkable indistinguishability between these three renditions. The ink delivery system comes filled with shipping fluid, so it needs to be voided and ink replaces it on initial set-up. The data are the average differences from target values for each section of the scale. As you see, there are a number of steps to get this set-up, but they are straightforward, and once the initial set-up is done, re-use is very simple. Ive always felt the process of making a photograph wasntcomplete until I could hold it in my hands. (2) The main attractive feature of using ABW is the automated ease of getting a B&W conversion and a print from it all in one. The target also provides good evidence for evaluating B&W tonality using the upper left image and the grayscale ramp across the bottom. By way of comparison, for the P800 with Legacy Platine paper, the average dE 76 outcome was 1.6 (I do not have a dE(00) reading for the P800); hence on this media for custom profiling, the P900 appears to provide on average more accurate tone and color rendition. This printer can be purchased at B&H Photo. The three cases portrayed in Columns F, G and H all show close and satisfactory results for the 48-patch multicolor test and for the gray-scale granular targets in rows 24 to 34. At PXL we believe you dont have a photograph until you can hold it in your hands. Ill expand the scope of this section a bit to demonstrate the setting-up of a pano for printing, as well as the procedure of using the roll feed. Once processed, a screen appears allowing you to edit key parameters of the new Media Type/Paper (Figure EMI 11). Black points are similar; there is ever so slightly more brightness in the rendition from Levels 2 to 19 in RELCOL (expected); from L*19 or so upward, RELCOL produced a slightly more accurate rendition than ABSCOL, with slightly better linearity. No kidding, they really do! Beware, however: if you install using USB and want to switch to a wireless operation, according to the manual you need to uninstall the driver and re-install it as a wireless device, following the network set-up instruction in the START HERE sheet. Figures 27 and 28 focus particularly on grayscale rendition for the OEM and Mark profiles respectively. Instead of the first 15 levels being bunched together at L*15 (lower blue line of Figure 30), the mapping of file value L*1 is remapped to L*15, and by the time file value L* 15 is reached, the printed value maps to L*21 (dashed blue arrows), opening up tonal distinction albeit at reduced darkness and contrast relative to the image file values. Clicking Done brings up a fresh screen with a button one tap to print the information. The probability of anyone being disturbed by an appearance of hue bias in any of these outcomes is low. Here are several more indicators of print speed depending on the settings used, for a 6.5 x 9-inch print on a US letter-size sheet: (a) Baryta paper, 5760 DPI, CB ON, High-Speed OFF: 13 minutes, 27 seconds. Some of the OEM dE(76) results have larger values than desirable. Neither my wife nor I could detect any difference between them, viewed side by side in daylight. It only moves several inches, so dont force it. When you commission the print, the printer starts working, the LCD saying it is receiving data, then a message appears advising to replace an ink cartridge because there may not be enough for the print to complete. I shall be examining that with real photographs below. I say appears because the technical conditions for testing the two printers are not strictly the same. It takes only a minute.

So one tries them, looks at the outcome, and decides whether one likes it or not. Both of these cases were printed in ABSCOL and had satisfactory dE outcomes. With ABW ON, the differences between ABSCOL and RELCOL are trivial. Home > Articles > The New Epson SC-P900 Printer Review. Something dynamic, and evolving. Fine Art paper (flexible and below 0.50mm) loads easily in the top feed. (3) Once inside Manage Custom Sizes we create a new custom size preset (Figure RF2). To remind, for Case F: CB is ON, High Speed is OFF, Resolution is 5760 dpi. Also, there are single strands of hair over the boys eyes which require a low-power magnifier to see. Were looking for the differences these settings may make to Black density and the shape of the rendered tone curve from L*1~L*100 in ABW_Darker mode. I created 17 x 48. When you choose a quality setting in the pull-down shown in Figure 11, the treatment of the options Ive enclosed in a red box (Black Enhance Overcoat, High Speed, Finest Detail) will be pre-determined (like a preset) and greyed out of your control, EXCEPT if you had selected Quality Options (blue arrow) AND you set the speed/quality slider at the 4th position (going from left to right, Black arrow), whereupon you will be able to turn on or off any of those three available choices that are within the red box. Top Paper Feed: Epson calls it the Rear Feed, but its actually on top, so I call it the Top Feed yes at the rear of the top of the printer but dont go looking for a paper feed in the rear of the printer unless using the roll holder. As before, High Speed enables bi-directional printing (I assess it further on). Having worked with this printer for over six weeks in the preparation of this review, my overall takeaway is that I really like using it and it delivers superb print quality. As a number of people making prints value linearity and neutrality in the grayscale and Epson themselves have devoted considerable effort to the B&W experience, I provide a more detailed analysis of the grayscale in the form of my granular 100 patches (L*1~100) grayscale evaluation targets, disaggregated into three sections, one each for dark, medium and light tones (Figure 29 for my custom profile). And its just cool seeing the print come along! (1) In Photoshop (similar in Lightroom), first decide and determine the linear dimensions. The Capital Recovery Charge for machine usage per standard print calculated in real-time as a function of throughput is a more complex calculation, illustrated in Figure 23. The ABW mode can render a very decent B&W print, but with less user control and possibly greater longevity than a B&W conversion using Application Color Management. So, Ill do that here, because roughly is more information than nothing. kevin@photopxl.com photoPXL will publish articles about photography and look at the many types of cameras we use to take photos, ranging from smartphones to medium format systems. There is the above-mentioned new Black Enhance Overcoat technology that increases maximum Black density on high gloss papers without the need for a dedicated coating cartridge; it is engaged by using the Carbon Black (hereafter CB) mode in the driver Print settings. However, people who have exacting standards and are prepared to put the time and effort into learning B&W conversions using their imaging editing application and a standard application managed workflow with ICC profiles will obtain more customized and controlled results. Immediately after that, the LCD told me there is a firmware upgrade available (because with the check for upgrade option active in the printer settings, once it can communicate with the Epson servers, it checks the firmware and says whether an update is available). It has dedicated channels for Matte Black and Photo Black inks, eliminating channel sharing and switching that consumed time and ink on previous Epson models. The optional SC-P900 roll holder attaches to the back of the printer (not shown here). I estimate that Ill print another 35 sq.ft. The gamut volume and maximum Black of much canvas media are quite limited (in the case of Epson Canvas Satin about 512,387 and L*22 respectively (versus over 800,000 and L*3 or so from a high-quality Luster paper in this printer). It produced a flawless borderless print (top and bottom left and right you need to trim) and there was no spillage of ink visible in the printer. At this stage, we resume the process of completing the wireless connection set-up so that the printer can communicate with the computer wirelessly. Once the printer is happy with its ink supply, it will pull up a menu in the LCD asking you to confirm the media type and size, and with roll paper, it offers you the option to print a cut line just beyond the end of the print; I selected that option. Figures 65 and 66 are photographs of the actual 1722 inch prints I made in the SCP-900, one color, and one B&W. I discuss this later in the context of wireless printing software. Adding it all up, per standard print in CAD: Ink 0.74 (uncertain), Total 2.36 (In USD excluding sales taxes: 1.55). Comparing the relationships of the Red to the Black lines of Figure 48 relative to the left panel of Figure 47, the Dark tone-setting does indeed produce less brightening than the Normal setting, which is what we hoped for and expected. For Case H, CB is OFF, High Speed is ON, Resolution is 5760 dpi. With its three feeds plus the DVD printing device, it offers great versatility in the kind of media it will accommodate, including the ability to make long panoramas with the optional roll adapter. Starting with the profile data (Figure 33 faint green panel, read from ColorThink Pro), the gamut volumes for the three profiles are similar, the Mark profile with CB OFF being about 2.5% lower. The linearity below Level 19 is similar for both and less linear than above. So I can highly recommend this combination of the SC-P900 with Epson Legacy Fibre paper, processed under soft proof in Lightroom and printed through the Epson driver using standard application-based color management with ICC profiles. The provision of wireless connectivity, which enables printing from mobile devices using a purpose-built version of the Epson Print Layout for mobile is very cool and works well. The effect of using CB on such a photo is subtle, nonetheless visible. The comparisons of interest are Black density, lower-dark tone separation and overall accuracy in ABSCOL and in RELCOL. For both cases, there is a brightness boost at the darkest end of the scale, followed by a gradually increasing darkening effect relative to target values as one moves further and further up the scale. The most common suite of photos I use for demonstrating printing conditions with new printers and papers are: (1) the Atkinson Printer Test Page, (2) The BVDM Roman 16 low-key B&W image for dark tones, (3) The Roman 16 high-key B&W image for highlights and (4) other photographs for illustrating other particular results of interest.

To get roughly equivalent USD value, divide CAD by 1.35. The overall brightness of the lowest 25 L* levels will be a bit lower with CB ON than without it, but on average not by more than a Level or so. Both the two- and three-dimension projections tell the same story.

(As a side note, in case anyone is thinking about a choice between the SC-P900 and SC-P5000: the SC-P5000 is a different class of printer meant for a high-volume production market, viz. Theres a limit to how much I can say at the time of writing, because while the machine and paper costs are known, Epson has not provided a utility for reporting on ink used per print and the company has no intention of doing so, notwithstanding that they do provide it for their larger professional models (P4900 onward) and Canon has been providing it for years with the Pro-1000/2000/4000. I should remind you that these graphs are generated from targets printed in Absolute Rendering Intent (ABSCOL), which isolates the native behavior of the printing system without the influence of application-induced colorimetric adjustments. The results here are very good.

we hope you find this article beneficial and worthwhile while this site is a FREE site we do appreciate contributions as they help us pay the bills and keep the site alive and thriving. Owner, CEO, Publisher, Article Type: News, Reviews, Columns, MISC, This feature available to silver and gold members, Tagged With: epson, Ink Jet Printer, Epson P900, Epson Print Layout, Ink Jet, P800, epson P800, P900, New Epson SC-P700 and SC-P900 Printers Announced, Epson Introduces Reengineered SureColor P-Series Wide-Format Printers for Professional Photography, Professional Quality Prints from iPhone 13 Pro Raw Captures, Super-telephoto 600mm F4 G Master Prime Lens, International Landscape Photographer Of The Year, what is the best photo management software, a* and b* distance from 0 (the less the better), Slope of the tone curve (more slope = more contrast), position of tone curve relative to reference values, Visual inspection of the printed tone curve. The bars depicting hue bias are generally well below 1.0 for all but five levels at the dark end of the tone scale and none of those exceed 2.0. _____________________________________________________________________________________________________________________________. 36), (5) Enter a monthly safe rate for the opportunity cost of capital (cell K4) (e.g. And the only way to do great work is to love what you do. I think Cases F and H are the most worthwhile selecting for ABW analysis here. Plus, we will have many articles from a wide range of well-known and maybe not so well-known photographers. As seen in the hand, both photos are very sharp and very rich. Let us examine hue neutrality with versus without ABW in the darker part of the tone scale (Figure 44, and please note the differences of the left side scale when reading the bars in each section). The SC-P900s comparators would be the SC-P800 it replaces, SP3880, or Canon Pro-1000.). Ill verify this with real world photographic prints later on, as we also want to view the quality of gradients and detail in photographs. Although it doesnt affect printer usability, perhaps Im not the only one who would like to have data from the printer on ink usage. The Black points differ little between the options. It has smaller physical dimensions than its predecessor (about the size of an SC-P600 despite the 4-inch wider carriage), allowing it to be used in smaller spaces, in part made possible by smaller ink cartridges (prices per cart are adjusted accordingly). CB ON (Figure 48 right panel) provides 1.2 levels deeper Maximum Black and slightly more contrast (tone separation) at the very bottom of the scale versus CB OFF. Where high dE outcomes predominate, we know in this context that there is a problem related to profiling. They somehow know what you truly want to become. Steve Jobs. Whats more, the image quality was excellent: clear, sharp, good tone, and color throughout. Because few people would ever print normal photographs using ABSCOL (usually one prints with RELCOL or PERCEPTUAL Rendering Intent), its worth looking at a similar comparison, but this time printed with RELCOL Rendering Intent (Figure 41).

At least two features allow this: firstly, in the middle of the target there is type going down to 2 pts. These next steps are not on the LCD, they are in the Printer & Scanner panel of the computers System Preferences. Flat paper holds steadily through the print process without leaving any markings on the paper surface. Operating Features: With all settings made, let us have a look at the SC-P900s new features for making a print, many of which focus on the newly designed and enhanced printer LCD (which we can customize for which functions we wish to maintain readily at hand).

Likewise, I imported the photo from Paris into Lightroom, optimized it in color under soft proof for Epson Legacy Fibre paper, then converted it to B&W using the Lightroom B&W mode, and found that it needed very little further adjustment, save for a minor brightening and contrast enhancement of the very dark tones in the bottom left area of the photo. The main interest for doing anything with glossy photo paper was to reveal any visible difference between having CB ON or OFF. There are quite a few mini-steps here, but this is easy to do and youll accomplish it in less time than it takes to read all this unless you speed-read. I selected borderless printing because I wanted to see whether this printer would really do that accurately and without making a mess. Where I put a Red rectangle, around Paper Size, enter the dimensions the PRINTER understands, i.e. It begins with the pano set-up in Photoshop and in the printer driver. ABW essentially over-rides the choice of Rendering Intent in Photoshop. The dE results of rows 20, 21, and 22 show a generally excellent outcome for the Mark profile and a generally acceptable result for the dE(2000) set from the OEM profile (evaluation targets printed with High-Speed ON, as testing determined this to be slightly more accurate statistically than using High-Speed OFF. There will then be two versions of the SC-P900 printer driver in macOS Preferences>Printers and Scanners. Its also interesting to look at the detailed grayscale tests for these two cases (Figures 37 and 38 for cases H and I respectively). Having installed the new cartridge to get this pano printing, the printer stuck in receiving data status forever, so I canceled the print job and started it over. If you lined it up properly, it will not be skewed so touch OK: After clicking OK, the paper will load.

Never before has been so easy to print from any mobile device as well as your typical applications on notebook and desktop computers.

In Case I, while the Luminance curves are generally quite linear throughout the tone scale, they indicate a systematic tendency to print tones that are around a couple of Levels too bright. I examine the contribution of CB below. Unless otherwise mentioned, the printing is done in RELCOL with BPC, 16-bit, and High-Speed ON. I click on the name Velvet Fine Art Paper and on the icon Copy Media. Fortunately I do have an Epson SC-P5000 printer that has neither Violet ink nor a CB quality option, but a wider colour gamut than any other printer Ive ever tested, so I thought it could be insightful to find a photo with both Blue and Violet, and test for obvious relevant differences between them. (2) Click on Print Settings in the Photoshop Print dialog, which takes you to the Epson printer driver.

While Figure 57 (Roman 16, BVDM) is a B&W test image specifically designed to test printing conditions for the quality of dark tonal appearance thus not fully compliant with Epsons recommended best characteristics for revealing the value of CB, it does help to reveal the contribution that CB makes to good tone separation. Linearity is quite well-preserved in both renderings; however, in both, there is a cross-over between printed and target values in the highlights occurring in the range of L*85 in order to produce a smooth transition into the media white point. Open the Front Feed Tray by pulling it out. epson pcmag